Anderson GDS (1992). Murlarra: a clan song series from central Arnhem Land. Unpublished thesis (PhD). University of Sydney, Sydney.
Anonymous (1951, 16 February). Native leader shanghaied. Northern Standard (1921–1955), p. 1. Retrieved 4 April 2011, from nla.gov.au/nla.news-article49482563.
Anonymous (1948, April 20). A royal tour disappointment. The West Australian (1879–1954), p. 6. Retrieved 5 April 2011, from nla.gov.au/nla.news-article46904700.
Anonymous (1882, 7 January). News and notes. Northern Territory Times and Gazette (1873–1927), p. 2. Retrieved 26 November 2010, from nla.gov.au/nla.news-article3151789.
Anonymous (1879, 3 May). News and notes. Northern Territory Times and Gazette (1873–1927), p. 2. Retrieved 13 December 2010, from nla.gov.au/nla.news-article3148254.
Australian Broadcasting Corporation (1942). Songs by Australian Aborigines, with commentary by Peter Hemery. ABC archives tape number 72/10/543, 16-inch disc (33rpm). Sydney: Australian Broadcasting Commission.
Barwick L (2011). Musical form and style in Murriny Patha djanba songs at Wadeye (Northwest Australia). In M Tenzer & J Roeder (eds), Analytical and cross-cultural studies in world music. Oxford and New York: Oxford University Press.
Barwick L (2006). Marri Ngarr lirrga songs: a musicological analysis of song pairs in performance. Musicology Australia, 28 (2005–2006): 1–25.
Barwick L (2005). Performance, aesthetics, experience: thoughts on Yawulyu mungamunga songs. In E Mackinlay, S Owens & D Collins (eds), Aesthetics and experience in music performance (pp 1–18). Amersham, Bucks: Cambridge Scholars Press.
Barwick L (2003). Tempo bands, metre and rhythmic mode in Marri Ngarr ‘Church Lirrga’ songs. Australasian Music Research, 7: 67–83.
Barwick L, Blythe J, Ford L, Reid N, Walsh M & Wadeye Aboriginal Languages Centre (2010). Wadeye Song Database. Retrieved 17 January 2011, from sydney.edu.au/wadeyesong/.
Barwick L & Marett A (2011). Aural snapshots of musical life: Simpson’s 1948 recordings. In M Thomas & M Neale (eds), Exploring the legacy of the Arnhem Land expedition in 1948: science, diplomacy and Aboriginal studies in a trans-national context (pp 355–91). Canberra: ANU E Press.
Barwick L, Marett A, Blythe J & Walsh M (2007). Arriving, digging, performing, returning: an exercise in rich interpretation of a djanba song text in the sound archive of the Wadeye Knowledge Centre, Northern Territory of Australia. In RM Moyle (ed), Oceanic music encounters—the print resource and the human resource: essays in honour of Mervyn McLean (pp 13–24). Auckland: University of Auckland.
Barwick L, Marett A, Walsh M, Reid N & Ford L (2005). Communities of interest: issues in establishing a digital resource on Murrinh-patha song at Wadeye (Port Keats), NT. Literary and Linguistic Computing, 20(4): 383–397.
Basedow H (1907). Anthropological notes on the western coastal tribes of the Northern Territory of South Australia. Adelaide: Royal Society of South Australia.
Brandl M, Walsh M, Haritos A & Northern Land Council (1979). Kenbi land claim: to vacant crown land in the Cox Peninsula, Bynoe Harbour and Port Patterson areas of the Northern Territory of Australia / by the Northern Land Council on behalf of the traditional owners. Prepared by Maria Brandl, Adrienne Haritos, Michael Walsh. Darwin: The Northern Land Council.
Coppinger RW (1883). Cruise of the ‘Alert’: four years in Patagonian, Polynesian, and Mascarene waters (1878–82). London [England]: W Swann Sonnenschein.
Dixon RMW (2002). Australian languages. Cambridge: Cambridge University Press.410
Dixon RMW (1980). The languages of Australia. Cambridge: Cambridge University Press.
Dixon RMW & Koch G (1996). Dyirbal song poetry. St Lucia, Queensland: University of Queensland Press.
Elkin AP & Jones T (1958). Arnhem Land music (north Australia). Sydney: University of Sydney.
Ellis C (1984). Time consciousness of Aboriginal performers Problems and solutions: Occasional essays in musicology presented to Alice M. Moyle (pp 149–85). Sydney: Hale & Iremonger.
Ellis C, Ellis AM, Tur M & McCardell A (1978). Classification of sounds in Pitjantjatjara-speaking areas. In L Hiatt (ed.), Australian Aboriginal concepts (pp 68–80). Canberra: Australian Institute of Aboriginal Studies.
Ellis CJ (1985). Aboriginal Music: Education for Living. St. Lucia, Australia: University of Queensland Press.
Etheridge R (1894). An Australian Aboriginal musical instrument. Journal of the Anthropological Institute of Great Britain and Ireland, 23: 320–24
Evans N (1989). Linguistic convergence in the Wogait: the case of Wadyiginy, Pungupungu and Kungarrakany. Unpublished manuscript PMS4779. Canberra: Australian Institute of Aboriginal and Torres Strait Islander Studies.
Ewers JK (1954). With the sun on my back. 2nd edn. Sydney: Angus and Robertson.
Falkenberg J (1962). Kin and totem: Group relations of Australian Aborigines in the Port Keats district. Oslo: Oslo University Press.
Ford L (2007). ‘Too long, that wangga’: analysing wangga texts over time. Australian Aboriginal Studies, 2007(2): 76–89.
Ford L (2006). Marri Ngarr lirrga songs: a linguistic analysis. Musicology Australia, 28 (2005–2006): 26–58.
Ford L (1997). Batjamalh dictionary and texts. Canberra: Panther Press.
Ford L (1990). The phonology and morphology of Bachamal (Wogait). Australian National University, Canberra.
Ford L & Klesch M (2003). ‘It won’t matter soon, we’ll all be dead’: endangered languages and action research. Ngoonjook: Journal of Australian Indigenous Issues, 23: 27–43.
Ford L, Kungul A & Jongmin J (2000). A sociolinguistic survey of Wadeye: linguistic behaviour of the Marri Ngarr, Magati Ke, Marri Amu and Marri Tjebin. Paper presented at the Top End Linguistic Society meeting, Darwin.
Ford L & Nemarluk E (2003). Mi-Tjiwilirr i Wulumen Tulh (Hairy cheeky Yam and Old Man Tulh): ancestral knowledge of the Marri Amu Rak Tjindi Malimanhdhi people. Batchelor, NT: Batchelor Press.
Furlan A (2005). Songs of continuity and change: the reproduction of Aboriginal culture through traditional and popular music. Unpublished thesis (PhD). University of Sydney, Sydney.
Green I (1994). The Daly language family: a reassessment, Proto western Daly. Unpublished manuscript prepared for the Comparative Australian Project. Canberra: Australian National University.
Jebb MA (2002). Blood, sweat and welfare: a history of white bosses and Aboriginal pastoral workers. Nedlands WA: University of Western Australia Press.
Keen I (1994). Knowledge and secrecy in Aboriginal religion. Oxford, UK: Clarendon Press.
Knopoff S (1992). Yuta manikay: juxtaposition of ancestral and contemporary elements in the performances of Yolngu clan songs. Yearbook for Traditional Music, 24: 138–53.
Manmurulu D, Apted M & Barwick L (2008, 16 August). Songs from the Inyjalarrku: the use of non-decipherable, non-translatable, non-interpretable language in a set of spirit songs from North-West Arnhem Land. Paper presented at the 2008 Symposium on Indigenous Music and Dance. Charles Darwin University, Darwin.411
Marett A (2010). Vanishing songs: how musical extinctions threaten the planet. Ethnomusicology Forum, 19(2): 249–62.
Marett A (2007). Simplifying musical practice in order to enhance local identity: The case of rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory). Australian Aboriginal Studies, 2007(2): 63–75.
Marett A (2005). Songs, dreamings and ghosts: the wangga of North Australia. Middletown, CT: Wesleyan University Press.
Marett A (2003). Sound recordings as maruy among the Aborigines of the Daly region of north-west Australia. In L Barwick, A Marett, J Simpson & A Harris (eds). Researchers, communities, institutions and sound recordings. Sydney: University of Sydney. Retrieved from hdl.handle.net/2123/1511.
Marett A (2000). Ghostly voices: Some observations on song-creation, ceremony and being in northwest Australia. Oceania, 71(1): 18–29.
Marett A & Barwick L (2003). Endangered songs and endangered languages. In J Blythe & RM Brown (eds), Maintaining the Links: Language Identity and the Land. Seventh conference of the Foundation for Endangered Languages, Broome W.A. (pp 144–51). Bath, UK: Foundation for Endangered Languages.
Marett A & Barwick L (1993). Bunggridj-bunggridj: wangga songs by Alan Maralung, northern Australia. Washington DC: Smithsonian Folkways CD SF40430.
Marett A, Barwick L & Ford L (2001). Rak Badjalarr: wangga songs by Bobby Lane, Northern Australia. Audio compact disc of research recordings with accompanying scholarly booklet. Canberra: Aboriginal Studies Press.
Marett A, Yunupiŋu M, Langton M, Gumbula N, Barwick L & Corn A (2006). The National Recording Project for Indigenous Performance in Australia: year one in review. Backing Our Creativity: the National Education and the Arts Symposium, 12–14 September 2005 (pp 84–90). Surry Hills, NSW: Australia Council for the Arts.
Mountford CP (1948). Expedition to Arnhem Land, 1948. Volume 1, personal journal. Unpublished manuscript. Adelaide, SA.
Moyle AM (1992 [1977]). Australia: Aboriginal Music/Australia: Musique Aborigene. On UNESCO collection: Music and Musicians of the World/Musiques et Musiciens du Monde [audio compact disc]. Ivry-sur-Seine: AUVIDIS-UNESCO-IICMSD D8040. Released as an LP in 1977. Released as a CD in 1992.
Moyle AM (1967a). Songs from the Northern Territory. Volume 1 [LP disc recording re-released on audio compact disc 1997]. Canberra: Australian Institute of Aboriginal and Torres Strait Islander Studies.
Moyle AM (1967b). Songs from the Northern Territory: companion booklet for five 12 inch LP discs (Cat No. I.A.S. M-001/5). Canberra: Australian Institute of Aboriginal Studies.
Moyle AM (1966). A handlist of field collections of recorded music in Australia and Torres Strait. Canberra: Australian Institute of Aboriginal Studies.
Moyle RM (1979). Songs of the Pintupi: music in a Central Australian society. Canberra: Australian Institute of Aboriginal Studies.
Northern Territory of Australia (1957). Register of wards, Northern Territory Government Gazette No. 19B, 13 May. Darwin: Northern Territory Government.
Povinelli E (1993). Labor’s lot: the power, history, and culture of aboriginal action. Chicago: University of Chicago Press.
Sandefur JR (1991). A sketch of the structure of Kriol. In S Romaine (ed.), Language in Australia (pp 204–12). Cambridge & Melbourne: Cambridge University Press.412
Sansom B (1980). The camp at Wallaby Cross: Aboriginal fringe dwellers in Darwin. Canberra: Australian Institute of Aboriginal Studies.
Sharifian F (2006). A cultural-conceptual approach and world Englishes: the case of Aboriginal English. World Englishes, 25(1): 11–22.
Sharifian F (2005). Cultural conceptualisations in English words: A study of Aboriginal children in Perth. Language and Education, 19(1): 74–88.
Simpson C (1951). Adam in ochre: inside Aboriginal Australia. Sydney: Angus & Robertson.
Simpson C (writer) (1948). Delissaville: death rite for Mabalung. Radio feature, 15 March. Sydney: Australian Broadcasting Commission.
Spencer B (1914). Native tribes of the Northern Territory of Australia. London: Macmillan.
Stanner WEH (1992). Notebooks c. 1932–1970.Unpublished manuscript, Canberra.
Stanner WEH (1989 [1963]). On Aboriginal religion. Sydney: University of Sydney.
Strehlow TGH (1971). Songs of Central Australia. Sydney: Angus & Robertson.
Toner P (2003). Melody and the musical articulation of Yolngu identities. Yearbook for Traditional Music, 35: 69–95.
Toner P (2001). When the echos are gone: a Yolngu musical anthropology. Unpublished PhD thesis. Canberra, Australian National University.
Tryon D (1974). The Daly family languages. Canberra: Pacific Linguistics.
Various artists (1991). Bushfire: traditional Aboriginal music. Compact disc. Sydney: Larrikin TCLRF-247.
Wildey WB (1876). Australasia and the Oceanic region, with some notices of New Guinea: from Adelaide—via Torres Straits—to Port Darwin thence round West Australia. Adelaide: G Robertson.