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  1. Pref
  2. Search
  3. For the Sake of a Song
  4. Contents
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CONTENTS

  1. LIST OF FIGURES
  2. LIST OF TABLES
  3. PREFACE
  4. ACKNOWLEDGEMENTS
  5. A NOTE ON ORTHOGRAPHY
  6. HOW TO READ MARRI TJAVIN-MARRI AMMU WORDS
  7. HOW TO READ BATJAMALH WORDS
  8. HOW TO READ EMMI-MENDHE WORDS
  9. ABBREVIATIONS IN MORPHEME-BY-MORPHEME GLOSSES TO SONG-TEXTS
  10. A NOTE ON THE SOUND RECORDINGS
  11. Chapter 1 A SOCIAL HISTORY OF WANGGA
  12. Chapter 2 THE MUSIC AND DANCE CONVENTIONS OF WANGGA
  13. Chapter 3 THE LANGUAGE OF WANGGA
  14. Chapter 4 BARRTJAP’S REPERTORY
  15. Chapter 5 MULUK’S REPERTORY
  16. Chapter 6 MANDJI’S REPERTORY
  17. Chapter 7 LAMBUDJU’S REPERTORY
  18. Chapter 8 THE WALAKANDHA WANGGA REPERTORY
  19. Chapter 9 THE MA-YAWA WANGGA REPERTORY
  20. REFERENCES
  21. APPENDIX 1 Characteristics of the rhythmic modes
  22. APPENDIX 2 List of recordings
  23. ABOUT THE AUTHORS
  24. List of CD tracks
  25. CD 1: Barrtjap repertory (chapter 4)
  26. CD2: Muluk repertory (chapter 5)
  27. CD3: Mandji repertory (chapter 6)
  28. CD4: Lambudju repertory (chapter 7)
  29. CD5: Walakandha wangga repertory (chapter 8)
  30. CD6: Ma-yawa wangga repertory (chapter 9)
  31. INDEX
  32. COPYRIGHT
  33. Metadata
  34. Static Site Processing Instructions
  35. Sydney Open Library

 

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